Musing

Ben Howard's Every Kingdom Editor's Note: This is the 8th in a quasi-weekly series of reviews marking my favorite ten albums of 2012. The 10th edition is wrapped into the larger year-end post I call "The Ho Media Awards", which will be published just after the new year. Stay tuned! Chase's departure from "House, M.D." in the final season was tracked with the closing song on this album, "Promise." It gave me chills. "House" brought me several good bands or songs during its eight year run, but I'm not sure it brought me anything better than Ben Howard. I think of Ben as the anti-Matt Nathanson. Matt is more of a chord-driven songwriter, keeping the songs casual, simple affairs. Good campfire music. Ben plays his guitar like a harp, in that his songs are driven by complex melody lines picked out one string at a time. It's not just good sounding music. It's music that makes you sit back and appreciate the level...

Keane's Strangeland Editor's Note: This is the 7th in a quasi-weekly series of reviews marking my favorite ten albums of 2012. The 10th edition is wrapped into the larger year-end post I call "The Ho Media Awards", which will be published just after the new year. Stay tuned! Keane turned in a weak effort with their last album, which I panned a few years ago. They've since released an EP that was received with scorn by pretty much the entire fan community. Things were looking bad, which was great news for me. I have a theory that artists only make good albums when they're experiencing tough times. The corollary is that they make lousy albums when they are at the height of their popularity/having good tours/etc. Coldplay and The Killers are two fine recent examples. Now Keane joins that list. This album does a sharp U-turn away from the synth-filled excess and sunshiny melodies of the previous two works and journeys back to the pianos and themes of...

Tom McRae's From the Lowlands [ Digital ] Editor's Note: This is the 6th in a quasi-weekly series of reviews marking my favorite ten albums of 2012. The 10th edition is wrapped into the larger year-end post I call "The Ho Media Awards", which will be published just after the new year. Stay tuned! Tom promised a second half to the HMA-winning The Alphabet of Hurricanes back when he was in the studio for that album, but I'm a jaded consumer of music - I've heard this before. Follow any band in the studio closely enough and you're sure to read something like this at some point: "Hey guys, we have cut 249 songs for this album! Can't wait to share them with you!!!" But oh me of little faith: here is the second half of the AOH cycle. And it's glorious. At first I thought this was just an EP of leftovers, but I posed the question to the man himself on his forum and it was confirmed that this is a full length album. Seeing only 9...

Charlie Winston's Running Still Editor's Note: This is the 5th in a quasi-weekly series of reviews marking my favorite ten albums of 2012. The 10th edition is wrapped into the larger year-end post I call "The Ho Media Awards", which will be published just after the new year. Stay tuned! After landing 2010's Discovery Artist of the Year Award, I naturally had high hopes for Mr. Winston. And I'm sure he will be happy to know that he did not fail to amaze with Running Still . You're welcome, Charles. "Hello Alone" is a great bridge from the last album, which is good, because "Speak To Me" comes out of left field and - on first listen - made me wonder if he'd decided to completely change his style. It's happened before. Witness "Mischifus," the impossible-to-find-on-disc collection of tunes he wrote for a one man theater production. It's an odd album of sonic knick-knacks that didn't really suggest ...