Musing

Website of the Year - The Wertzone Adam runs a great sci-fi and fantasy-centric blog that reviews both new releases and releases that are new to him. He's fairly even-keeled, which is really saying something for a Random Reviewer Dude With A Blog. It's always interesting to compare and contrast his reviews with Pat's over at the Hotlist . Book of the Year - Carlos Ruiz Zafon's The Prisoner of Heaven Although a little lighter than its predecessors, this third volume in the Cemetery of Forgotten Books quartet finally starts bringing pieces together and giving us some direction for the fourth and presumably final book in the series. This lightness has been widely criticized, but personally at the point in the story, I'm not sure that an extra 100 pages of exposition would have added any value to the story. We know our players. We know the scene. We think we know the plot...but when your narrator is crazy, how far can you trust him? Maybe this boo...

Norah Jones' Little Broken Hearts Editor's Note: This is the 9th in a quasi-weekly series of reviews marking my favorite ten albums of 2012. The 10th edition is wrapped into the larger year-end post I call "The Ho Media Awards", which will be published within the next week. Stay tuned! Three albums in a row, Norah has disappointed me more and more. Not Too Late was a pale imitation of Come Away With Me , her outstanding debut. Feels Like Home was pleasant but unremarkable. And The Fall ...well, best not to mention The Fall . I've never lost respect for her talent, but I was afraid that she was drifting out into uninteresting territory over the last few years, so the new album was quite a shock. In fact I'd be so bold as to say this may, in time, eclipse CAWM . This album is very clearly a break-up album - "Little Broken Hearts," "4 Broken Hearts," and "Miriam" all make that very, very clear: I know he said it's n...

Ben Howard's Every Kingdom Editor's Note: This is the 8th in a quasi-weekly series of reviews marking my favorite ten albums of 2012. The 10th edition is wrapped into the larger year-end post I call "The Ho Media Awards", which will be published just after the new year. Stay tuned! Chase's departure from "House, M.D." in the final season was tracked with the closing song on this album, "Promise." It gave me chills. "House" brought me several good bands or songs during its eight year run, but I'm not sure it brought me anything better than Ben Howard. I think of Ben as the anti-Matt Nathanson. Matt is more of a chord-driven songwriter, keeping the songs casual, simple affairs. Good campfire music. Ben plays his guitar like a harp, in that his songs are driven by complex melody lines picked out one string at a time. It's not just good sounding music. It's music that makes you sit back and appreciate the level...

Keane's Strangeland Editor's Note: This is the 7th in a quasi-weekly series of reviews marking my favorite ten albums of 2012. The 10th edition is wrapped into the larger year-end post I call "The Ho Media Awards", which will be published just after the new year. Stay tuned! Keane turned in a weak effort with their last album, which I panned a few years ago. They've since released an EP that was received with scorn by pretty much the entire fan community. Things were looking bad, which was great news for me. I have a theory that artists only make good albums when they're experiencing tough times. The corollary is that they make lousy albums when they are at the height of their popularity/having good tours/etc. Coldplay and The Killers are two fine recent examples. Now Keane joins that list. This album does a sharp U-turn away from the synth-filled excess and sunshiny melodies of the previous two works and journeys back to the pianos and themes of...

Tom McRae's From the Lowlands [ Digital ] Editor's Note: This is the 6th in a quasi-weekly series of reviews marking my favorite ten albums of 2012. The 10th edition is wrapped into the larger year-end post I call "The Ho Media Awards", which will be published just after the new year. Stay tuned! Tom promised a second half to the HMA-winning The Alphabet of Hurricanes back when he was in the studio for that album, but I'm a jaded consumer of music - I've heard this before. Follow any band in the studio closely enough and you're sure to read something like this at some point: "Hey guys, we have cut 249 songs for this album! Can't wait to share them with you!!!" But oh me of little faith: here is the second half of the AOH cycle. And it's glorious. At first I thought this was just an EP of leftovers, but I posed the question to the man himself on his forum and it was confirmed that this is a full length album. Seeing only 9...

Charlie Winston's Running Still Editor's Note: This is the 5th in a quasi-weekly series of reviews marking my favorite ten albums of 2012. The 10th edition is wrapped into the larger year-end post I call "The Ho Media Awards", which will be published just after the new year. Stay tuned! After landing 2010's Discovery Artist of the Year Award, I naturally had high hopes for Mr. Winston. And I'm sure he will be happy to know that he did not fail to amaze with Running Still . You're welcome, Charles. "Hello Alone" is a great bridge from the last album, which is good, because "Speak To Me" comes out of left field and - on first listen - made me wonder if he'd decided to completely change his style. It's happened before. Witness "Mischifus," the impossible-to-find-on-disc collection of tunes he wrote for a one man theater production. It's an odd album of sonic knick-knacks that didn't really suggest ...

Sea Wolf's Old World Romance Editor's Note: This is the 4th in a quasi-weekly series of reviews marking my favorite ten albums of 2012. The 10th edition is wrapped into the larger year-end post I call "The Ho Media Awards", which will be published just after the new year. Stay tuned! Sea Wolf's second full length was something of a surprise. It's far more approachable than Leaves in the River . Although it placed third in my 2009 countdown, it lost something of its luster over time. It started feeling like a sell-out effort, which made me worry about LP3. Apparently I was too quick to judge, because this third album - Old World Romance - starts taking cues from the first album and leaving the sheen and the theatrics of the second album in the past. LitR is another one of those albums I love to pull out on rainy days. OWR is similar, but darker and colder. More of an album for snow than for rain (listen to "Kasper" for example and try t...