Musing

Even now, I'm not sure if this is an entirely fair assessment. I'm quite behind on all of the things that came out in 2021.  Since my reading schedule was mainly long and challenging works, I couldn't do a lot of simultaneous critical listens to new albums.  Anything that isn't mentioned below is probably missing because I haven't yet given it enough time.  As for the rest: These 13 by Andrew Bird & Jimbo Mathus This one's a lot of fun. I'm more partial to Andrew's voice than Jimbo's, so there's what I would consider an unfortunate number of Jimbo-lead songs here. The recording itself is very loud and can be harsh on the ears at times. I understand the artistic decision there, but it's still regrettable. How Long Do You Think It's Gonna Last? by Big Red Machine BRM's second LP is a solidly progressive step forward from the first album. Sprawling across 64 minutes, it feels like maybe they pulled in some of the Volca...

Honestly I expected more of 2020.  I thought that a year when everyone is expected to stay home would see a whole host of projects released for consumption by all of those bored, quarantined consumers, whether it was a music album or a book or anything else.  I heard a variety of reasons tossed around as to why it didn't happen that way, although they didn't all hold water. So in large part, it meant I continued working hard on the TBR pile of books in SF/F and assessing the music collection where it stands.  I was able to purge quite a few of the 62 books I was able to finish this year, but the CDs are about as trimmed as they can get.  The reading focus moves to general fiction and the philosophy/theology bookcase this year.  Though those collections are smaller, there are books that have been there since college that I've meant to read but just haven't bothered with yet.  The rule here is the same - every book I don't need to take across the country to ...

There were quite a few "big names" in my library that released new albums this year.  For the most part, everyone's effort was appreciated.  As usual, we have the Outstanding, Good, and Eh? groups of albums. Outstanding: Violet Street by Local Natives Local Natives went a bit sideways with their second and third albums, so I wasn't really tuned in to their 4th album's recording status.  They recorded videos for several tracks that were recommended to me through YouTube; luckily I trusted the system enough to click and watch.  Not only is the album Album of the Year, the song "When Am I Gonna Lose You?" - video below - grabs Song of the Year. Consequence of Sound has a great track-by-track breakdown of the whole album by the band that talks about the evolution of each final song that's really interesting.  There's also a "leftover" that was just released called "Nova" that's really good. My Finest Work Yet ...

[I'll never figure out why scheduled posts don't work for me.  This should have posted on NYD.  Sorry.] I honestly didn't think I'd be able to name ten albums that I listened to this year.  If last year was mostly pleasant surprises, this year was mostly bland disappointments from established favorites.  Discovery artists carried the year. Animal Spirits Vide Noir Post Traumatic I'll Be Your Girl  Always Ascending Wildness High as Hope   Square 1 Wrong Creatures Tranquility Base Hotel & Casino The Other Side of Blue Delta   Come Tomorrow Thank You For Today Simulation Theory Love is a Basic Need  My New Moon Although it doesn't quite match the start-to-finish awe of Strange Trails (but really, I doubt they'll be able to capture that lightning in a bottle again), Lord Huron's Vide Noir gets the nod for Album of the Year.  It rocks harder than we're used to hearing these boys rock, and "Never Ever" comes m...

New Year's Resolution 2018:  Post more than I did in 2017.  Sorry. This year's eligible album list is: Ah, The World! Oh, The World! All This Life As You Were Who Built The Moon? A Blaze of Feather Blindfaller Crack-Up Everything Now Little Fictions One More Light Lemon Cotton Candy Sunset Pleasure Red Pill Blues Wonderful Wonderful It's mostly a list of surprises.  The Gallagher brothers both did the unexpected - Liam released something that sounds fresher and more genuine than anything he's sang in over a decade while Noel released a mostly upbeat album.  The Killers almost did well enough on Wonderful Wonderful to make up for the atrocity that is Battle Born .  I didn't know what to expect from Richard Edwards' solo album, but I was definitely pleasantly surprised.  Tom McRae released an extremely chill and heartfelt album in a beautiful little red book; think Amnesiac with fewer minotaurs and more recipes for fish.  Meanwhile,...

This list is more about posterity than about writing convincing arguments imploring you to try these albums. I'm already later than I'd planned and time isn't getting any freer, so it's time to spit it out and get on with everything else! Remember when I said that last year? When I evidently (somehow) had even more time to write than I have today? Ah, the good old days. So! Same rules apply. Remember when I said that last year, referencing the year before? Same rules apply again. This year started off amazingly, with four albums in a row coming out within a month or so of each other - Painting of a Panic Attack, Are You Serious, Petals, and Jet Plane & Oxbow (though JP&O technically came out in January, it wasn't until I ordered Frightened Rabbit's album that I saw that this new Shearwater album had finally dropped). Jet Plane & Oxbow A Moon Shaped Pool Painting of a Panic Attack Courting the Squall 25 Are You Serious The ...

Donald Hall gets it.